Lou Patty is a electro-rock band based out of Holland. The band is made up of Roger Heerink on lead vocals and guitar, Jeffrey Sletering on synths, Stan te Loeke on drums, and Thom Meerdink on bass. In the past, the band used to focus on rap and synth rock as their main genres, but on their latest release, their songs have taken on a modern melodic rock feel, blending in electronic elements, all the while staying true to their 80's and 90's rock influences. The self-titled 4 track EP Lou Patty was recorded at White Noise Studio in Holland, and as a bonus, they've also shared their official music video for the last track, "Hostile". A fine blend of the theatrical energy of Queen, with the headbanging vibes of heavier rock bands of today. Let's take a listen.
Right away we are greeted with a choppy synchronized guitar riff, in perfect time with heavy hitting drums. The intro track "Minute Of Peace" wastes no time dropping into a dark melodic riff during the chorus.Vocals are sung with smooth delivery, occasionally reminiscent of Red Hot Chili Peppers lead man Anthony Kiedis and his funkier lyrical flow. "A minute of peace, don't know what it means, a minute of peace". On the second song, "Kings And Servants" the hard rocking riffs continue, drums and bass are steady and powerful, keeping the train on the tracks as sparks fly up all around. Vocals shine and cut through the mix with raw emotion, layered at times with beautiful harmonies. A politically charged song seeming to take aim at the government and their hunger to control the minds of the masses. "all I see now, is kings and servants". Next up we have the super funky jam,"Molly Ray". Bass drops are deep and heavy, like an anchor dropping to the ocean floor. Drums are right in the pocket, boisterous and in your face. Gang vocals and harmonies really bring out the lyrics to this tune. "Molly Ray is on the run, why she left me, what have i done". Strong feature of the synth elements that set Lou Patty apart from other bands in the modern rock genre. This song also has a notable guitar and bass solo like the fuse on a stick of dynamite, ready to explode. Last on the EP, is the showstopper, "Hostile". Guitars, bass, and synth comes together with a unison riff, then shift into a chill-out groove during the verses, shifting again to a lo-fi sound over top a jungle-esque drum beat. When the beat and unison riff drops back in, it gets pretty hard to not dance wherever you are. Overall this EP is the perfect blend of high energy rock, and smooth electronic tones. As a band, Lou Patty is definitely one to keep your eyes and ears peeled for. Who knows where their music will take them next.
Lou Patty's self-titled EP is available online for streaming and purchase on Spotify, and Itunes!
Watch the official music video for "Hostile" by Lou Patty below:
O.D.D. is a heavy, melodic, rock n' roll band based out of Atlanta Georgia. The band was formed in 2013, with members "Gunny" on bass and vocals, "The Muffer" on drums and vocals, and "HDS" on guitar, and vocals. Their music is heavily influenced by arena rockers like Black Sabbath, Kiss, Led Zeppelin, and Rush; featuring explosive drums, pounding bass, and melodic rock vocals over heavy guitar riffs. On the band's latest EP, "The Disorder" we are quickly thrown into the lion's den, and forced to fend for ourselves.
The first song on O.D.D.'s EP takes a shot at our current political climate in the US. Where everything you've ever known can be signed away with one "Executive Order". Rolling beats on the toms, powerful crashing symbols dynamically shape this song, with bass and electric guitar hanging tight and punchy, lead guitar breaking away into an intense solo. Lead vocals go back and forth between slightly distorted, and crystal clear with an epic harmony accompaniment.In a way signifying the good versus evil, or right versus wrong that our political landscape is facing today in the US. "You can try just don't disagree, if you do we will make you see, with a pen sign your rights away, executive order".
Next we are met with "Label Killer", starting off with dark, crispy distorted riffs on guitar, and ghostly pinch harmonics. Vocals soaring in, "Well you got this silly notion that you're always right, just like nothing, ever happened, try to come back, not this time" , describing a toxic relationship gone off the rails, and seeing people as they really are. The rhythm section is solid, the drums and bass in perfect synchronicity, allowing lead guitar to flourish between verses.
"Loud Fighter" is the third track on the EP, and on the more aggressive rock side, up tempo, channeling an inner fighter, learning to fight for what you want in life, and to fight loud. The chorus features melodic guitar lines complementing the vocals, driving the song home. "Sometimes you got to listen to these words, don't take for granted a lesson learned, well it's a tough road, tough road to follow, just one of life's pills you have to swallow".
Rounding out this spirited collection of songs, we have "The View". Drums and bass break off into a heavily syncopated beat reminiscent of a song off of Metallica's 'St.Anger' album, called "Frantic", building suspense and creating a driving force that is impossible to ignore. "Everyone can clearly see that your problems lie within, they're not just with me (not with me, not with me. Vocals are powerful and impressive, a combination of Ozzy Osbourne's tone and attitude, with the range of Alter Bridge's Myles Kennedy.
Overall this is a rock-solid release from O.D.D. that showcases their multi-faceted musicianship, vocal prowess, and songwriting abilities. They add a crisp modern edge to an otherwise classic rock n' roll sound. Make sure to check out O.D.D.'s EP "The Disorder", along with their official music video for "Executive Order" below:
It's easy to see why Lazywall is being hailed "The most widely acclaimed modern rock band in Morocco". They have recorded with legendary producers like Steve Albini (Nirvana), performed at prestigious music festivals like SXSW (Austin TX), Garorock (France), and three times at L’boulevard Festival in Morocco. The band is made up of three Anegay brothers: Monz, Nao and Youssef, who chose classic rock as
their main influence. Specifically by bands like Pearl Jam, Alice in Chains, Shinedown, Tool, Audioslave, and more. Lazywall blends their modern rock sound with Arabic tunes, and musical instruments such as Oud (performed by Younes Fakhar). Lazywall discography consists of four albums: "Apoptosia” (2009),
"Restart" (2010), “Aporia’s Bane” (2012), and “Square Minds in Round
Heads” (2015).
They have just released their fifth studio album “The Hundredth Monkey" this October, and we're excited to take a listen!
Track by Track
Arca Musicae- The album begins with a haunting instrumental melody. Electric guitar layers in with the bass floating deep in the mix, like a mythical sea monster lurking in murky waters. The drums sound huge and powerful. A nice little tune foreshadowing what's to come throughout the album.
The Perfume - "The perfume has to spread to wash away the blame, oriental scent of ladies dancing to the flame" This tune is pure hard rock. The recording quality and production are impressive. The bass, drums and guitars are layered perfectly. A nice back and forth in the verses between heavy rhythm sections and pulled back. Tight harmonies in the chorus. Multiple instrumental break-downs show off the bands range and eclectic flair, and ability to adapt to quick structure changes while maintaining immaculate time.
Desert Flood - "It's time to rise, servants and lords, time to face you all, see through my eyes, red as my blood, in my head you'll crawl" The intro is wonderfully dissonant, they sing of wolves in sheep's clothing, and truth hidden behind curtains... searching for the answers, and getting revenge on people who mislead them. Exciting guitar solos and intense breakdowns, and vocal sections. In this song the lead vocals take a likeness to the sound of the alternative rockers of Incubus.
Invincible - "Who's gonna catch you if you fall?, It's not gonna be me, who's gonna embrace you when you crawl? it's not gonna be me". Melodic guitar and bass blend perfectly as lead vocals build. The song explodes into a super catchy chorus, letting the hypothetical 'Medusa" know she isn't so invincible.
Speciesism - "They are commodities like TV sets and cell
phones, we've actually turned animals into inanimate objects, sandwiches
& shoes, it is the greatest magic trick ever performed" guest
vocals / clip of Gary Yourofsky speaking out on the horrendous "speciesism" that exists in our society, mainly in the commercial meat industry, along with clothing, and cosmetic departments. Chilling to the bone. The songs starts off with doom metal vibes, faraway plastic guitar sounds, heavy riffs, cymbals crashing, with eerie pinch harmonics, vocal harmonies, and loudspeaker effects. Reminiscent of System of A Down energy. Time Girl - "My blindness taught me to grope my way along, my
heartbreaks taught me that pain can be strong, what if i what if i - i
could go back in time, will i meet you there?" beautiful guitar tone, layers, stylings similar to John Frusciante of the Red Hot Chili Peppers. Falls into a fun reggae beat, and "Oh' gang vocals. Nice falsetto vocals at the ends of the choruses. We could listen to this track all day. Fades out with some trippy guitar delay.
Diamonds - "I'm an old man made of sand, you're a diamond on the palm of my hand". Bass and lead guitar dance around each other like flames in the wind. Epic ascending melodies compliment the vocals. Very catchy hook in the chorus, singing about helping someone get past their own scars in the battlefield of life.
Brother - "It could raise all my anger i never claimed to be a father, I'm not scared if it overtakes me, i won't be scared to be a brother, to suffer, and be in this mind's slaughter". This song starts off soft and pretty and gets grittier as it develops. Theres a unique guitar tone on the solo halfway through, space-like and zippy. Harmonies and a tight bass and drum groove allow a lot of room for dynamics in the final verses.
I Am - "Dirty, beauty, I feel, so sick, concrete, needles, faded, reasons". Love the scratchy, growly lead vocals on the chorus. This is one of the more interesting arrangements on the album, infusing some of that Arabic instrumentation and percussion with the heavy hitting rock riffs. Something very unique to their sound is the ability to include these different instruments and lose no momentum.
Distorted Mind - "I'm in jail and I'm wasted, I am awake and speechless, I have a single vision of your distorted mind". Angry, intense, seeking vindication... just a few of the emotions emanating from "Distorted Mind", as the lyrics describe a person with a twisted view of the world. Their perception being less than focused, and dealing with bubbling frustration. Heavy guitars, and big drum snare fills, another explosive track from Lazywall.
Dragonfly - "I swear I'll take good care of you, you carry me while I'll smile for you, please save the world with open eyes, remember me as a dragonfly". The song begins with a pretty piano accompaniment, with really cool bass fills dropping in here and there. The backing vocals in the choruses are hypnotic and angelic. What sounds like a supercharged synthesizer solo really knocks this song out of the park! The backing vocals climb back in with organ-like guitar tones, as the last chorus bursts with melody and brings the song to a close with the original piano part.
Plagueman - "Show me a reason, show me a reason to live". This song has one of the best dynamic rhythm shifts, seamlessly going from a straight rock beat into a sweet disco/funk beat. The heavy guitar riff breakdown is electrified with an hard rocking sweeping guitar solo, while the bass and drums push the tempo, giving the listener the feeling of being in a fast car on the freeway at night headed into the city.
Nothingness - "Time and time again, I fall in nothingness, says after days, I fake this lonely, face to face myself, I wait to heal this, time and time again, I fall in nothing, this nothing, in nothingness". An homage to sadness, and feeling like absolute nothingness. Fighting with inner demons, and mistakes from the past, along with trying to change people's negative perceptions. The song builds and crashes like a boat on a stormy sea. The sign of a great band is being able to tap into the emotion of a song, and transfer that emotion into instruments. Lazywall does just that.
Come What May - "I won't cry for yesterday, I'll stand on my own two feet again, hold come what may". Snare and phased guitar create exciting tension in the verses, as the rhythm section picks up speed into the hook. A song about accepting whatever the future may hold, and not looking back with regret. Strong backing vocals, and intricate guitar and bass lines build a really nice platform for the lyrics to shine.
Executed - "All of my life, all that I tried to do was to understand all the sounds in your craziness, this laziness, I found the things that make sense". Dark warm guitars chug along, as bass and distorted lead guitar weave in and out of the mix around vocals. The bridge has a monster guitar solo, incredible talent and finger-work. This song rocks through and through.
Away - "No more lions chasing me, no more dragons to carry me, there's no more pages in this old book, now the pain is gone, away away, its gone away". Rolling guitar and percussion, harmonized guitars. Melodic vocals over arpeggiated guitar and warm bass. Crunch guitar comes in the second verse. A song rejoicing that the pain of the past, and fear has finally faded away. Catchy gang vocals driving the emotion home. An upbeat tune to leave you wanting more as this stellar album comes to a close.
Overall, "The Hundredth Monkey" is a rock solid release from Lazy Wall. Two albums worth of songs jam packed into one amazing album. As a band, the trio of Monz, Nao and Youssef create an enormous sound, with unique instrumentation, and impressive musical chops, there are endless possibilities for their music and their talent to exceed new heights. Some of our favorites off the record were "The Perfume", "Invincible", and "Time Girl". Feel free to comment yours below!
Here are some links for digital purchase of "The Hundredth Monkey" CD BABY
Jared Mancuso reignites rock n' roll with his incredible album "Superdope". Combining high energy party romps, tender 50's surf rock vibes, and throwbacks to blues, and early pop, Superdope easily puts Mancuso in a genre all his own. Set to be released November 15th, you can check out the first single "Roll Over" on Soundcloud.
TRACK BY TRACK
Roll Over – like a Molotov Cocktail thrown into a pile
of fireworks, Superdope gets right in your face with funky, grungy electric
guitar, crunchy riffs and warm arranged backup vocals. “Go on,
roll over now” Explosive energy circulates around a tight, locked in rhythm section. Building throughout the song is the intense Led Zeppelin feel, and Weezer vibes. Electric guitars play in perfect synchronicity with each other. "You can make threats, I'm not the kind of person you can scare". Calm, cool and collected lyrics combat with the vibrant rock beat, like those fleeting heated moments in an argument. Sometimes things go much smoother when you Roll over and give in.
La De Da – a fun, tongue in cheek tune about people who seem to just let themselves
be miserable. People can get hung up in bad relationships, or wanting companionship, when they haven't found how to even make themselves happy. With a jaunty chorus of La de da dee da’s, as if to say they’re
ignoring the things they could do to be living a better life. By the end of the song you might find yourself arm and arm with your best buddy at the bar, Guinness's in hand, and a round of whiskey shots on the way. The F_ck – (personal favorite) Awesome. Catchy, “I dive right in, then I quickly start to
sink” “What the F_ck am I supposed to do?!” This song brings on the hard questions...what am I going to do with my life, should I move
across the country, should I try to find
myself, or should I stay put and keep hitting the pavement? “Ain’t got the words, because this pen’s running
out of ink” The bridge builds in intensity with Ooh’s and crashing drum fills, melodic shredding guitars, harmonies so godly you might have to tie your
shoes to your chair. “It could be I’m not good enough to make it” a refreshing dose of self awareness, Mancuso digs deep to understand what might be holding him back when it comes to commercial success in the music industry. This song, and this entire album exceeds genre boundaries, shows character, and exposes the raw talent, tenacity, and songwriting mastery that comprises Jared Mancuso's sound.
Would You – slows down for a minute “I’ve got these brand
new shoes and I’m walking away from you” “you left your laundry here, come and
get it when I’m not around”… breakups are never easy, someone you used to be so
into is now the one person you hope to avoid at the grocery store. Beach boys vibes, 50’s
surf rock pull you in like a slow crashing wave. The little bit of slap-back echo on Mancuso’s voice sends cool chills into the mix. The harmonized guitar solo paints a vivid image of a dark stormy
beach, with simple drum beats keeping everything centered.“Now would you let it go?” Continually impressed by the focus on songwriting, and keeping it in the forefront. With a band that has the capacity to blow the roof off a warehouse , they know exactly when to hold back and put the song first.
Superdope – The title track of Mancuso’s new project is your next party anthem. Quick-paced lyrics and smooth falsetto. “Put your hands up for the superdope party” Beastie
Boys meets the Black Keys. A winning combination of rock n' roll with a fun hip hop feel. They really
dig their teeth in at the bridge, the groove gets heavy and the lead guitars
scream and wail in perfect harmony. Only to exceed themselves at the last moments with an explosive, edge of your seat ending.
Mayday (Instrumental) – This is not your typical album ballad, this is a high speed car chase on the open freeway at night. Beefy, thick guitars, wild crashing
drums, and what sounds to be piano ripping it like Jerry Lee Lewis playing Great Balls of Fire. Each member taking turns adding to this complex rock
n’roll layer cake that makes it impossible to sit still. Mayday makes your standard rock 4 piece sound like the Trans Siberian Orchestra.
Rest of Our Lives – Vocals styling reminiscent of Weezer, and The
Avett Brothers really allow the lyrics to shine on this track. Sweet harmonies and hot electric guitars go back and
forth to tell a story of a love in the works. “I thought we’d be together for
the rest of our lives” In the age of online dating, and hook up apps, it may seem like an impossible sea of love to navigate. You might have one of the best first dates of your life, only to never hear from that person again. Or the opposite, you may have had a terrible time, only to find that person is now sending you love notes in the mail and showing up at your work. Either way, it's these things a listener can really connect to with Mancuso's music. Songs about the everyday struggles of dating and pursuing love. “…I can’t believe we met last week. I can prove to you
that my love never dies…if only you would take a second date”.
Drive Me Crazy – smooth fuzz guitar, shaker percussion, falsetto vocal
doubling set the vintage, old-time recording feel of this track. Transcending from Modern
rock to earlier styles of rock n’ roll with all the style and flair of Motown
producers back in the 50's. The groove gets deep and muddy like hot fudge. The drum tom and
snare are deep and dark toned. Like the love that dragged you so deep underground that you’ll
never find a clean escape. “You know that you drive me crazy, and I know it’s
all the things you do to me” A toxic, yet working relationship. As artists I
think we all find ourselves in some crazy relationships, ever on the prowl for
our next muse.
The Other Side – bright, fun, upbeat, full of energy; The Other Side is stumbling onto a
beach party, and getting handed cold beers and Austin style street tacos. Gang vocals in the chorus bring out the tenaciousness in Mancuso's voice. “Need a ride to
the other side” “ba da ba” surf vibes meets hard driving classic rock. “if you’re too cool for school, then you’re
really never gonna make it”. I Showing up to a scene “fly as hell” ready to meet
girls, and dance, and see how crazy a night can get. Bring the party over to
the other side (the next morning).
Water – (personal favorite) the closing track to Superdope starts off with
acoustic guitar, vocals similar to Anthony Kiedis, and the warm expressive feel of Neutral Milk
Hotel. Perfectly panned harmonies, and acoustic guitar solo that warms your spirit like
a fresh pot of coffee after a long night. “through the surf and sound, make my
way back home” A nice throwback to this entire album, a work inspired by the
simple effectiveness of early rock n roll bands and recordings, combined with all the party vibes of bands like
The Beach Boys, The Beatles, Black Keys, and Weezer. As the song progresses the ooh La la’s build as the snare rolls back in, claps, and unique piano tones join as it all fades away, like the waves
retracting back to the sea.
11/06/16 - Bourbon & Branch - Philadelphia, PA
- DETAILS 11/17/16 - The Bowery Electric ALBUM RELEASE PARTY - New
York, NY 11/19/16 - Maxwell's on Main - Doylestown, PA
Hambone Relay is a Rock/ Funk Organ Trio from Philadelphia, PA. Mark Brown (Hammond Organ/Keys), Rob Tait (Drums), John Udinsky Jr. (Guitar, Bass) make up this powerhouse trio. As multi-instrumentalists, songwriters, and touring musicians; their unique backgrounds, creativity, and pure happiness shine through on this collection of songs. Their exciting instrumental album "Free Hugs" is set to be released November 4th.
Track By Track:
Tenth & Market – Center City, on a crisp fall afternoon. Imagine just stepping out into the sunlight from the dark subway platform to be greeted by constant sounds of the busy street and inaudible chatter of people walking by. Electric guitar
blends perfectly with sustained organ, transcending effortlessly between jazz
and rock feels. With influences of Jimmy Preston, The Meters, and Jimmy Smith, there are countless musical avenues to wander down, while also carving out their own. Free Hugs is an exciting ride, so buckle up!
Mr. Square Peg + Miss Round Hole - A lo-fi radio version of Hambone Relay's sound is poured over this song like hot maple syrup on a stack of fluffy hotcakes. It sends you back to the days of spinning records all night that you bought at your favorite vinyl shop, then, immediately you're zapped back into today with all the smooth and crisp production, deep warm tones of electric guitar and organ. Reinforcing the idea of a modern rock band that continues to evolve, while simultaneously staying true to their roots. Organ and Guitar sing out as a duet, courting each other with melodies. Midway through the song you might find yourself doing double take when the band shakes things up like an Etch-a-Sketch, transitions that would make the most seasoned band run up to throw the band high fives on stage.
Boilermaker – Just as the name suggests, a shot of well whiskey and a beer would go well with this tune. Smooth, with a little bite, followed
by ice cold awesome organ vibes. Percussive jazz guitar riffs, and boasting a non-stop, ever evolving rhythm section. All in perfect harmony and
time, building and breaking down intricate melodic sections.
Chicken n’ Biscuits – Steaming hot, buttery flaky goodness right
here. Picture sitting down to eat with extended family for a celebration. Sharing a table
of home-cooked food on a late Sunday afternoon before the big game. Your
uncle single handedly trying to drag you outside for a game of football, while maintaining eye contact with the last chicken drumstick on your plate. You might find yourself clapping along with the band halfway
through the song, the music drops out to just claps and a lyrical jazzy guitar
solo, when the whole band comes back in you feel the energy dripping, like condensation on an ice cold glass of your favorite beer.
Peacefully Idle – (personal favorite) Peacefully Idle is a song that shows off the softer side of Hambone
Relay. It starts off with a laid back, mellow R&B feel. The first rays of sunshine peeking through your
window on your day off. Lazily making your way to the kitchen to start brewing
some coffee, your puppy-dog already smiling at your feet. Smooth organ
pads, light crispy guitar solos that pull right at your heartstrings. A beautiful
ballad with one of the most serene moments on this album, as a cascading guitar solo brings this song to a satisfying end.
(We Gonna) Make It Right – Ready to get back to rocking? Well these guys waste no time jumping back into their stride, warm upbeat grooves, impressive drum chops and more air-tight organ and guitar features. Hambone Relay has a way of making you feel at home in their songs. If you were having even an inkling of a bad day, this tune will make it right.
Scoop and Slap – Transported back to the seventies, rolling down the street in a souped up El Camino. Windows down, music up! Crazy funk breakdowns, organ and guitar really take over the bass lines, and
then flare up into the sky like fireworks on a hot July night.
High On The Five – Bouncy, fun, zippy, groovy, driving, this is a solid rock 'n roll tune. Something fun to listen for throughout the album is the little background noises at the end of tracks, or the excited shouting during songs when things start to get rambunctious.
Free Hugs – The title track of their album shows a wide range of the band's unique style, skill, and finesse as a dynamically driven trio. The tune starts off
with a bright piano build, tight as a freshly packed tootsie
roll, smooth organ flows seamlessly as the whole song gets flipped on its head. I imagine a live
show of Hambone Relay being off the walls, high energy and fun. A band that
really draws you in and doesn’t let go.
Sick, Brah! – A rowdy, explosive ending to a fun, rock solid, prominent release. Careening through the air waves, percussion storms in fast and strong, musicianship at its finest, their transitions melt and reform effortlessly. Being in Hambone Relay must feel like being the fastest runner during the bulls on parade. Talent and pure style for days. If you’re looking to move your feet and steal the spotlight on the dance floor, lace up your shoes, because this is your song.
Make sure to pick up a copy of Free Hugs on November 4th, online or at their CD release show in Philadelphia.
Circa Survive, Flogging Molly, Incubus, The Head & The Heart… these are just a few of the long list of bands Alright Junior has shared the stage with. Formed in 2006, this alt rock trio, consisting of, Jace Miller (Vocals, Guitar), Mike Fraclose (Drums), and Jamie Victor (Bass, Backup Vocals), have become one of Philadelphia’s premiere modern rock groups.
Over You Over Me These gentlemen waste no time diving into this EP. Right away you are greeted by a wall of perfectly balanced guitars and front-man Jace Miller’s robust vocals. “How long will it take me to get over you, and for you to get over me?” I picture Thelma and Louise grabbing each other’s hands, and speeding off the cliff. Choosing to end the mental anguish instead of continue living in the hopes of time healing all wounds after a bad break up. Can anyone truly put a length of time on the recovery process? “How long will it take to heal?” The band flawlessly shifts moods between angst, and relief of a relationship gone awry.
Out At Sea Although this song starts off like it might be a happy tune, you quickly discover it has some dark undertones. Ever think you were so in love? Thought of someone so highly, then were painfully blindsided? Jace sings of a life lost out at sea. A life better lived in separate life boats, going completely different directions into shallows of Davey Jones Locker.. “What do you do when your halo slips and scrapes down your spine?” Imagine Wilson from the Tom Hanks movie Cast Away, now imagine if Wilson royally screwed you over. KICK, PUNT, get out of my life, I’d rather live and die alone then spend one more second with a double-crossing beach volleyball. Hold On To My Breath Again Slow to build, this ballad showcases the raw vocal prowess of Miller. Clean guitars overlap as the vocals layer to deepen the mood. The drums storm in, reinforcing the singer’s feelings of longing. Reminiscent of Lizzy Hale’s voice from Pennsylvania heavy rockers Halestorm. This song builds and builds, a haunting climb to the top of the empire state building, to scream from the top. The chaos that ensues is intense and powerful, just like the head-rush of adrenaline before jumping to the busy streets below.
In Pain “I've got a heart as heavy as your conscience” Boom. Hard rockin’, this is the band that meets you at the gates of hell. Flames shooting out from the cracks in the asphalt beneath their feet. Miller's gravelly vocals are almost as gritty as his guitar riffs, distorted and full of attitude. The rhythm section kicks in to full motion at the breakdown. Abrubt stops and starts, tight transitions, and a groove that you might find yourself headbanging too.
Into The Sun *personal favorite* bright melodic guitar layers in with warm bass tones. The calm sincere vocals of Miller pull at your heart strings as he opens the front door into a new day. The hook of this song hits you with a tsunami of sound. Victor and Miller’s harmonies shine so pleasantly here. “The march goes on, straight into the sun” You can feel exactly how they feel in this moment; the undying perseverance, and determination behind these words. Isn’t that the ultimate goal of any musician, songwriter, or storyteller?
Way to go guys. This EP lets go off all inhibition. It’s dangerously honest, and sometimes raw. Tight interwoven arrangements, a kick-ass rhythm section, and consistently original songwriting gives us a very nice glimpse of what’s to come from Alright Junior. ...you can get your very own copy of Inhibition here: Bandcamp
Artist: Lou Patty
